Venus of Willendorf by Ryan Lindveit
Commissioned by the Akropolis Reed Quintet
Oboe, B-flat Clarinet, Alto Saxophone, Bass Clarinet, Bassoon
7’50”
“I first learned about the Venus of Willendorf, a 30,000-year-old, 4.4-inch carved limestone figure found in Austria, in an art history class in 2014, and so it was with a tremendous sense of anticipation and excitement that I approached visiting the Natural History Museum Vienna, where the figure is currently exhibited, ten years later. In this same spirit of joyful enthusiasm, I composed Venus of Willendorf for the Akropolis Reed Quintet, a group of musicians who eagerly tackle every musical challenge with artistry and aplomb. The origins of the Venus figurine are mysterious, as is its meaning, though some scholars theorize that it is associated with fertility, growth, and vitality. In response to this theory, I composed exuberant and vigorous music for these talented musicians. Additionally, the Venus figurine is both quite tiny and amply voluptuous, so I often simultaneously feature high notes in the oboe with low notes in the bass clarinet to reflect metaphorical mappings of high sounds with small things and low sounds with large things.” ~ Composer Ryan Lindveit
Venus of Willendorf by Ryan Lindveit
Commissioned by the Akropolis Reed Quintet
Oboe, B-flat Clarinet, Alto Saxophone, Bass Clarinet, Bassoon
7’50”
“I first learned about the Venus of Willendorf, a 30,000-year-old, 4.4-inch carved limestone figure found in Austria, in an art history class in 2014, and so it was with a tremendous sense of anticipation and excitement that I approached visiting the Natural History Museum Vienna, where the figure is currently exhibited, ten years later. In this same spirit of joyful enthusiasm, I composed Venus of Willendorf for the Akropolis Reed Quintet, a group of musicians who eagerly tackle every musical challenge with artistry and aplomb. The origins of the Venus figurine are mysterious, as is its meaning, though some scholars theorize that it is associated with fertility, growth, and vitality. In response to this theory, I composed exuberant and vigorous music for these talented musicians. Additionally, the Venus figurine is both quite tiny and amply voluptuous, so I often simultaneously feature high notes in the oboe with low notes in the bass clarinet to reflect metaphorical mappings of high sounds with small things and low sounds with large things.” ~ Composer Ryan Lindveit
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